Monday, September 25, 2006

Monte's Gauntlet

After hearing about the closing of The Crutch, a friend of mine, George Kaplan, talked me into contributing to a new blog, Monte’s Gauntlet. I love the idea of this blog – so much so that I wrote the mission statement for it. I’ll actually be helping out a great deal, but we will have a few others contributing all sorts of stuff. The blog’s not only something that is needed, but it’s also something nobody else is doing – it’s new and it’s fresh.

Go check it out – the mission is posted. Regular posting will begin very soon.

Thanks again to you all.

Saturday, September 23, 2006

something new?

Just wanted to let everyone know that I may be contributing and helping out with something new. I've been talking to a few people and we may collectively launch a new blog as early as next week. A very different blog. Something that has never been seen. Stay tuned...

And thanks for all the responses on here and via email! Much appreciated!

Tuesday, September 19, 2006

Farewell

Well, I’ve had enough. This blog will be systematically dismantled in the next few days. Thank you to all our readers and to most of the artists and industry folks that we’ve dealt with in the past three and a half years. The Crutch is dead.

Thursday, September 07, 2006

Give Me a Cover To Keep Me Warm


There are a handful of imperatives when it comes to cover songs. First, you must have a great original. A solid foundation is the only thing that leaves the possibility for a quality cover. Secondly, the covering artist should at least match the original, if not improve upon it. This comes down to a matter of subjectivity, but some are simply irrefutable, such as the famous “All Along the Watchtower” – even Bob Dylan resigned to the “fact.” Lastly, it cannot be a carbon copy of the original – it must have the covering artist’s stamp on it. It’s difficult to change a song and make it your own, while keeping the heart and attempting to improve the face, but it’s a crucial element when covering a song.

In the late ‘50s, early ‘60s record companies hired multiple artists to cover songs they thought could sell in various markets. The Beatles and Rolling Stones did covers in the teething years of their careers, while bands like The Byrds made their careers off of doing it. The Animals are often thrown into the same category of The Byrds, but The Animals improved upon so many of the songs they covered that, along with Jimi Hendrix and Joe Cocker, they stand as one of the few artists that truly made a song theirs when they covered it.

The most recent example of a band that fits in the same box as The Animals, Hendrix, and Cocker is The White Stripes. They are not known for it, but they have a number of stunning covers scattered amongst their records and b-sides. The White Stripes not only show their admiration for the artists and songs they cover, but they also reveal some of their deepest influences – the vocal inflection of Blind Willie McTell, pop goodness of Brendan Benson, lyrical stylings of Bob Dylan, experimental tendencies of Captain Beefheart, country heart of Loretta Lynn, blues soul of Robert Johnson, and rock and roll rebellion of MC5. A cover song is one of the kindest and honest signs of admiration from artist to artist – egos are suppressed, and suddenly, the music becomes the most important thing – and in that shared spirit, the Stripes seem to use it as an opportunity to promote other artists they feel people should know about. It’s like hand-picking an opening band – to use your clout to tout another artist.

Going along with that spirit, I decided to post some lesser-known covers/originals along with a handful from The White Stripes. I had to limit how many White Stripes tracks I posted because, well, I don’t want to get sued, but there are some amazing versions out there of the Stripes doing the likes of “Death Letter” (Son House), “Lovesick” (Bob Dylan), “For the Love of Ivy” (Gun Club), “Lord Send Me an Angel” (Blind Willie McTell), “Baby Blue” (Gene Vincent), “Jack the Ripper” (Screaming Lord Sutch / Peter Gunn), “Looking at You” (MC5), “Goin’ Back to Memphis” (Henry and June), “Ashtray Heart” (Captain Beefheart), and of course “Jolene” (Dolly Parton), among others.

Key: song title, original artist, covering artist(s)

Stop Breaking Down – Robert Johnson, The White Stripes
Party of Special Things To Do – Captain Beefheart, The White Stripes
Good To Me – Brendan Benson, The White Stripes
Who’s To Say? – Blanche, The White Stripes

Killing Floor – Howlin’ Wolf, Jimi Hendrix
Ain’t No Sunshine – Bill Withers, Soledad Brothers
Jenny, Jenny – Little Richard, The Sonics
Underdog – Sly & The Family Stone, The Dirtbombs
You Got Me Hummin’ – Sam & Dave, The Reigning Sound
Girl Named Sandoz – The Animals, The Smashing Pumpkins
Where Did You Sleep Last Night? – Leadbelly, Nirvana
Preaching Blues – Robert Johnson, Gun Club
Who Do You Love – Bo Diddley, George Thorogood
Bonus: Bang Bang (My Baby Shot Me Down) – Nancy Sinatra, The Raconteurs


*note: Jack White's t-shirt says Blind Willie McTell.

Sunday, September 03, 2006

Music Enemy #1



The 2006 MTV Video Music Awards. Holy fuck. This was one of the most surreal things I’ve seen in a while. I don’t listen to the radio, nor do I watch much television, so every once in a while, I’ll check out MTV to see what the crazy kids are listening to these days. They’re not crazy – they’re retarded.

A few bright spots:
- Ok Go doing their treadmill routine. [video]
- The Killers weren’t bad – still not my bag. [video] [When You Were Young - new single from Sam's Town]
- Shakira dancing. Lord. [video]
- The Jackass crew making fun of Fall Out Boy when they came up to receive their award.
- Lou Reed adlibbing while presenting an award, saying MTV needs to play rock and roll videos again – “you know, two guitars, drums, and bass!”
- The Raconteurs as house band: Not only did they play “White Light/White Heat” with Lou Reed to start the show off, but they even had Billy Gibbons (ZZ Top) with them later on, doing a kickass rendition of “Cheap Sunglasses”.

Outside of all that, it was painful. However, as it was with Titanic, I had to watch it so I could have an opinion on it. Apparently, Jared Leto has a band, and it’s emo goth something. Nominees in the rock video category included Leto’s band, Panic! At the Disco, A.F.I., Green Day, and Red Hot Chili Peppers. First, RHCP needs to stop. I saw the video of them visually placing themselves in the midst of rock and roll mavericks (for the most part) of the past and I almost threw my guitar at the television in disgust. Green Day – eh – I don’t have too much of a problem with them, but I still don’t dig their music. Panic? I wish this band were as dead as disco. A.F.I. won, but for the life of me, I honestly couldn’t tell the difference between all five songs as they previewed them before giving out the award. Oh, and the All-American Rejects played live – they played the same song that the other five bands recorded (and were nominated for).

I’m not going to go too far into my commentary on the hip-hop realm. I’m a big old school hip-hop fan, but we’re far away from that era. All I know is that I couldn’t understand a fucking thing anybody was mumbling – and I’m not talking about the performances – I’m talking about the presenters.

To top it all off, Jack Black was as funny as cancer. He needs to stop playing a caricature of himself – in movies and everything else that he does. It’s getting out of hand – the Groundlings need to have an intervention.

An intervention is also needed for MTV. People blame the big six record labels for the miserable state our music is in, but they have superiors. As far as popular music goes, there are only a couple eras that are a complete wash. One would be the late ‘70s, which was knee deep in shit like Elton John and Kiki Dee duets and “I Just Want To Be Your Everything”. The other would be the last 10 years. The reason for the latter is the lack of integrity from the information outlets. Rolling Stone, MTV, and Clear Channel have single-handedly (tri-handedly?) ruined the world of music in the last decade by turning the focus onto image and controlling what the public sees and hears. It’s this type of money-driving power that keeps the labels afloat.

There’s no way to remove the crap from the pop charts – they’ve always been dominated by cookie-cutter artists that the masses can swallow with no water – but with the technology age, there is an opportunity to take a piece of the pie away from the elite. The 600+ indie labels are gaining power, but without true competitors for the mass communicators in television and radio, it will only get worse. The rich get richer, and our minds get poorer.

Saturday, September 02, 2006

New 12-Pack For Everyone



Chin Up Chin Up - This Harness Can't Ride Anything
This Harness Can't Ride Anything - Suicide Squeeze
Unfortunately, they'll get some comparisons to Kings of Leon for this hopalong.

Cococoma - Don't Tempt Me
All I Give 7" - Shit Sandwich
For the love of god, please do not tell Cococoma that you can record at a better quality. Perfect as is.

Cracklin' Moth - Talk to the Dark
Special Single
This sounds so familiar that it's going to get repeated listens so people can spot bites (please refer to 1984 for definition of "bite" used in this context).

White Bear - Subject of the Queen
Demo
A good balance between pop and Marc Bolan.

Lee Marvin Computer Arm - Cha-Cha
Lee Marvin Computer Arm EP - Conspirators in Sound
Douse me in gasoline, throw Lee Marvin Computer Arm at me, and watch me burn.

Black Mekon - Simplify
Free Range Hassle - ?
This came out of nowhere - picking up where the Immortal Lee County Killers left off.

Pit Er Pat - Solstice
Pyramids - Thrill Jockey
Put this in for a road trip and indie-tango in your seat.

The Big Sleep - Murder
Son of the Tiger - Frenchkiss
I'm not sure what I'm supposed to do with this. Treadmill music?

Lou Reed and The Raconteurs - White Light, White Heat
live at MTV VMA
One of the coolest things I've seen on TV in some time. Too bad it had to be part of one of the shittiest things I've seen on TV in some time (MTV VMA).

Soledad Brothers - Downtown Paranoia Blues
The Hardest Walk - Alive
There'll be an article up soon on the Brothers - long overdue. Along with it will be a playlist created by the one and only Soledad drummer, Ben Swank. Some interesting shit.